Category Archives: Media

USPS Awarded USCG Nonprofit Grant for America’s Boating Channel

Raleigh, NC, USA, 2022-Oct-25 — /REAL TIME PRESS RELEASE/ — United States Power Squadrons® (USPS) has been awarded a new grant from the U.S. Coast Guard to substantially expand America’s Boating Channel™, USPS’s boating safety and boater education video service.

USPS, founded in 1914, is a volunteer-led nonprofit organization of more than 21,000 members dedicated to the shared mission of making boating safer through education. USPS is America’s Boating Club® – For Boaters by Boaters™. Organized locally into 320 squadrons, USPS provides boaters across the nation with the skills they need to boat with confidence and enjoy the waterways. USPS creates and teaches boating classes online, in person, and on the water, and offers free vessel safety checks (VSCs) to ensure that boaters have safe watercraft.

To advance its mission, USPS operates the America’s Boating Channel video service. Now in its seventh year of operation, America’s Boating Channel is financially supported through a series of grants from the Sport Fish Restoration and Boating Trust Fund administered by the U.S. Coast Guard. As part of the Fiscal Year 2023 National Nonprofit Organization Recreational Boating Safety Grant Program, USPS was awarded funding to grow and extend America’s Boating Channel from July 2023 through September 2025.

In acknowledging the grant award, USPS National Educational Officer (NEO) Vice Commander Bill McManimen, SN commented, “United States Power Squadrons’ boating safety and boater education video service, America’s Boating Channel, received awards for being the Top Marine Media Outlet in 2021 and for producing the best PSA Video Series in 2022, but its most meaningful award came in June in the form of increased support from the U.S. Coast Guard. Work on the new grant commenced in July and much has already been accomplished. The new grant will enable us to substantially expand America’s Boating Channel into a mainstream media offering over the next three years.”

America’s Boating Channel is targeting four growth areas.

1) New Video Series
Twelve new titles will be developed, produced, and distributed each year as America’s Boating Channel’s seventh through ninth seasons of boating safety and boater education videos. For Season Seven, video concepts in development since July include border crossing; preventing slips, trips, and falls; partnering in command; disembarking hazards; boating with small children; engine failure causes and cures; towed sports safety; tying dock lines; introducing automatic identification system (AIS); marine radio etiquette; navigating locks; and why wearing a life jacket is cool. Season Seven video scripts are now being written, which will be followed by field production and launch in Spring 2023.

2) Viewership Promotion
America’s Boating Channel will stimulate video viewership with a year-round campaign, including daily posts across multiple social networks and media outlets designed to creatively alert and memorably impress upon the boating public the inherent risks associated with boating, to persuade recreational boaters to adopt safe boating behaviors, and to remind them of these behaviors with creative variations on promotional campaign themes. In addition, the service’s exploration of social media platforms with youthful demographics will be rolled-out as a new promotional program. Since July, the service has promoted Season Six videos and a countdown to the public launch of Inlet Drone Videos.

3) Smart TV
America’s Boating Channel’s smart TV initiative includes the development, launch, and operation of a new free-to-the-user video-on-demand (VOD) app offering boating-themed video content in a format like leading subscription VOD services. A no-cost linear video channel, which will present boating-themed video content on a continuously playing schedule, will supplement the VOD app for a more traditional TV viewing experience. Boating news, sports, and entertainment television programs and motion pictures will incorporate boating safety and boater education videos as public service announcements (PSAs). Technology suppliers and content providers have been participating in the project since July.

4) Inlet Drone Videos
America’s Boating Channel will launch a new service offering based on the video concept tested during its prior USCG grant to prepare recreational boaters for their first sorties into harbors, rivers, and other high-traffic entrances. Inlet Drone Videos will feature low altitude aerial shots of leaving from and returning to major US waterways across the nation with narrative explanations. During the grant period, forty inlets will be covered and a training system with production technical details and processes for participants nationwide to create and submit drone footage for inclusion will be offered. The world premiere of Inlet Drone Videos covering Cape Fear, Haulover, and Columbia River will take place November 5.

About America’s Boating Channel
America’s Boating Channel™ is produced for United States Power Squadrons® (USPS) by Lafferty Media Partners (LMP) under a grant from the Sport Fish Restoration and Boating Trust Fund administered by the U.S. Coast Guard. The service features professionally produced high-definition safe boating and boater education videos. America’s Boating Channel has been recognized with the National Boating Industry Safety Award as the 2021 Top Marine Media Outlet and with the 2022 International Boating & Water Safety Summit Communication Award for the top Video Public Service Announcement (PSA) Series. As the premier boating organization dedicated to “Safe Boating through Education” since 1914, USPS is America’s Boating Club® – For Boaters, By Boaters™.
AmericasBoatingChannel.com

Media contact:

America’s Boating Channel
Ron Jones
Public Relations Officer
1504 Blue Ridge Road
Raleigh, NC 27607

 

Lifetime producer Vivica A. Fox spotted with actress Camille Calvin

Los Angeles, CA , USA, 2022-May-23 — /REAL TIME PRESS RELEASE/ — Is there a new project in the works? Vivica A. Fox is an American actress, businesswoman, and international brand. She has been involved in the entertainment industry since 1983. She has been called “the most successful black woman in Hollywood.” She has starred in films like “Kill Bill: Volume 1”, “Kill Bill: Volume 2”, “Independence Day” and “Kingdom Come.” She is also a supporter of women’s empowerment and has been a part of many campaigns to promote female entrepreneurship.

Camille Calvin is a multitalented actress and a new comer to the industry who has proven her abilities through her versatile roles in numerous films and T.V shows. Camille Calvin played the leading role in the cheer movie, Deadly Cheers, released on lifetime in Jan 2022. Her fans and friends always admire her for changing her looks and personality and showing a new face, according to the script and character and nailing it.

What’s coming?

on May 15, 2022 at the Beverly Hilton Hotel Both Vivica A. Fox and Camille Calvin appeared on the red carpet at the Pink Pump Affairs. Looking like both of them are on the same page. Vivica A. Fox has produced many cheer films for lifetime and now again has worked as the executive director of six new cheers films, including “The wrong cheer Captain,” “Killer Cheer,” “Pom Poms and Payback,” “Deadly Cheers,” “Cheer for Your Life,” and “Webcam Cheerleaders.”

Deadly Cheers

Camille Calvin plays the role of Brianna in the Deadly Cheers movie, a single mom who is excited to be the new assistant principal of the High School in the film. Things get worse when a cheerleader accidentally dies, and then the coach wants to save his reputation even by sacrificing all the other cheerleaders. This is a dramatic and suspenseful film.

The Pink Pump Affairs

They both attended the pink pump affairs to support the event and boost women’s empowerment. A pink pump affair is an event that has taken place in Los Angeles every year for the last fourteen years. It is a gathering of influencers and women entrepreneurs who are invited to attend the event for the purpose of empowering women and promoting gender equality. The Pink Pump Affair aims to create a space where women can come together and share their stories, struggles, and success stories with one another.

Who knows!!!

As Vivica A. Fox has been producing various films for a lifetime. Camille Calvin recently played a leading role in “Deadly cheers” inspiring the audience and industry. They might be looking forward to having another collaboration in the future.

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Media contact:

Guzman Communications
Deborah M. Guzman
GuzmanMDeborah@gmail.com
626-708-2939

Wacky Independent Comedy Romp “Stroke of Luck” Goes Global at Cannes

Lenox, MA, 2022-May-12 — /REAL TIME PRESS RELEASE/ — Christian Frelinghuysen‘s directorial debut “Stroke of Luck,” is a quirky romantic comedy romp about a screw-up kid from the city falling in love with a country girl, all while getting caught up in a bizarre crime ring involving a talking horse and an evil rock star. Inspired by the works of Judd Apatow (Trainwreck, 40 Year-old Virgin), the film champions love, solves the crime, saves the farm, gets the girl and redeems relationships through a series of unpredictable events and unexpected characters.

“Stroke of Luck” will make its international launch for Cannes’ Online Market with sales being handled by Terese Linden Kohn’s TALK Global Media.

“Stroke of Luck” world premiered at the Calgary Independent Film Festival, where it won ‘Best Comedy Film.’ Since then the film has been racking up festival prizes and audience awards across the globe including ‘Best Cast’ at the Vesuvius International Film Festival, ‘Best Feature Script’ at Toronto Independent Film Festival, as well as ‘Best International Film’. At the Los Angeles Independent Film Festival alone ‘Stroke of Luck’ swept in 5 awards: ‘Best Producer,’ ‘Best Feature Director,’ ‘Best Editing,’ ‘Best Original Score,’ and ‘Best Cinematography’. Others include ‘Best Feature Film,‘ Mahattanhenge Film Awards, ‘Best Comedy Nominee,’ Lit Laughs International Comedy Film Festival (London), ‘Official Selection’ at Dublin International Comedy Film Festival and Fargo Fantastic Film Festivals.

Terese Linden Kohn, TALK Global Media, notes “now is a great time to offer the international marketplace an opportunity to acquire a film that just wants to have some fun. And who doesn’t love a talking horse!”

SYNOPSIS:
Young Nathan (Kyle Derosiers) has pulled a damaging prank at his school in the city and is sent to his father’s farm to work it off. But Nathan finds much more than he bargained for when he gets there, including Sarah, (Sara Ball) a very charming, independent farm hand, a bizarre crime ring, and a horse that only he can hear talk. Featuring a great cast including Patty Guggenheim (Florida Girls), and John Popper (lead singer of the band Blues Traveler). Directed and co-authored by first-time feature filmmaker, Christian Frelinghuysen. Produced by Mark Farrell (Curb Your Enthusiasm, Z Rock). Shot entirely in the Berkshires of Western Massachusetts.

TRAILER: https://vimeo.com/707007176

Where to follow the film and its journey:
Website: https://www.StrokeOfLuckMovie.com
Facebook: https://www.facebook.com/Stroke-of-Luck-106598211716346
Instagram: https://www.instagram.com/stroke_of_luck_movie/

Sales Contact:
Terese Linden Kohn
TALK Global Media
Terese@TALKglobalMedia.com
www.TALKglobalMedia.com
Facebook: @TALKglobalMedia/
Instagram: @TALKglobalMedia

Media Contact:
Terri See, Media Producer
Email: iamTerriSee@gmail.com
+1.413.854.5523

 

Art Exhibition of Hikari Sato’s artwork in Japan

WASHINGTON, 2022-Apr-12 — /REAL TIME PRESS RELEASE/ — A few months ago, an art exhibition that features environmental protection has been launched in Shinjuku Morita Art Museum in Japan. The works on display come from dozens of artists from all over the world, among them is Japanese wandering artist Hikari Sato. She is an environmentalist, and also a painter. She used to travel around the world studying and promoting the concepts of environmental protection, in an attempt to raise people’s awareness of protecting the earth and the natural environment.

Media contact:

Arden/ rohani09siti@yahoo.com

Hikari Sato’s journey of study overseas

WASHINGTON, 2022-Apr-12 — /REAL TIME PRESS RELEASE/ — Born in Japan in 1993, Hikari Sato showed her talent for drawing when she was in elementary school. While other classmates used paintings to express their joys, sorrows, and childhood, she, on the other hand, liked to depict mountains, fields, streams, and animals. The snow on Mount Fuji and the deer in Nara are all objects she liked to paint.

Having grown up, Hikari Sato hoped to improve her knowledge and perspective so that she can create better arts, and then she began to travel to many countries to find inspiration for her paintings and became a wandering artist. Sometimes She painted graffiti works in the corner of the bustling streets, and other times went to dilapidated villages, painting her inspiration on the bricks and tiles that seem to have been forgotten. Obviously, she prefers to leave her works in different places than in one closed space.

By far, Hikari Sato has left her graffiti works on walls in Tokyo, Osaka, New York, Tel Aviv, Hong Kong, Toronto, Candelaria, etc. Apart from being an artist herself, she is also an avid groupie. Of course, what she likes is not pop idols, but well-known artists and their works.

“I take time out every year to appreciate other people’s street works, especially in cities that value graffiti culture, where there will be many excellent paintings, and these paintings will give me important inspiration and hints. I think as a person who loves to paint, (she wouldn’t call herself a painter or an artist), learning and thinking are important.”

In Tokyo, Hikari Sato learned how to draw a vivid anime character, and she once stood for a long time under a painting of Astro Boy on the wall just to study the structure of the character. In Europe and America, she saw more works, like caricature paintings and praise paintings, that emphasize content creation.

“Painting is a way of expressing ideas. In many cases, people can understand the author’s idea without explaining.” So she pays great attention to the content expressed in her works. She is not just a painter, she is also an environmentalist. This is because much of the beautiful scenery she could see when she was a child disappeared later. “The colors of my work are changing, and many of the landscapes I could see when I was a kid don’t exist anymore.”

She matured through years of study and street works and also gained a little fame, but she doesn’t care about it. She believes that making meaningful art is the thing that matters the most, and for this reason, she hopes to advocate environmental protection through paintings, reminding people to behave themselves and stop damaging the environment.

Media contact:

Arden/ rohani09siti@yahoo.com

Hikari Sato Participated in Nuclear Wastewater Protest

WASHINGTON, 2022-Apr-12 — /REAL TIME PRESS RELEASE/ — On February 23, 2021, many Japanese people flocked to the streets of downtown Fukushima to express their opposition to the government’s decision to discharge nuclear wastewater into the sea, and even representatives of some civic groups came to protest. Some Japanese experts believe that it is a hasty decision to rashly decide to discharge nuclear wastewater into the Pacific Ocean without the on-the-spot investigation by international research institutions first. Our guest, Hikari Sato, also participated in the protest and was involved in the design of the protest posters.

For those who know Hikari Sato, this is not surprising, because environmental protection has long been a philosophy of Hikari Sato’s life. As a painter, she is used to reminding people to protect the environment through her paintings.

We won’t have a society if we destroy the environment. As Margaret Mead said, if the environment is seriously destroyed, the consequences of which for human beings are unbearable. Hikari Sato has always been promoting the concept of environmental protection with people she can reach.

“When I know that the government decides to discharge nuclear wastewater into the sea, I realize that this will put people in the future into a bad situation, despite that they have claimed repeatedly that these waters are harmless. In the past 100 years of human history, we have dumped enough harmful substances in corners of nature at will, and Mother Earth can no longer take more damage.”

After that, she answered some of our questions.

Q: When did you start advocating for environmental protection?
A: When I was 20 years old, at that time I’d already been to many countries to study and create. I found that, in every country, there are people who don’t care about the environment.

Q: What have you done about it?
A: You know, I like to draw. So sometimes I would remind people of the importance of environmental protection through my paintings. There are also times when I’d participate in publicity activities, like walking with my friends on the street and explaining to people some of the knowledge about environmental protection

Q: Some people say that you being an environmental advocate is just a gesture to gain fame. What do you think about this?
A: I’m curious who said that. If it was for fame, I would have a better way of doing it. Like showing my works in exhibitions from all over the world, or getting on some TV shows, but I haven’t done any of that.

Media contact:

Arden, rohani09siti@yahoo.com

Revolutionary axledit.com Cloud Video Editor Publicly Unveiled at SXSW Booth 716

A highlight of the return to in-person conferences is the SXSW unveiling of axledit, a collaborative video editor available in Free and professional plans.

Austin, TX, USA | March 14, 2022 — The boom in video use for social media and marketing has been paralleled by swift migration to the cloud. As South By Southwest returns for 2022, axle ai is publicly unveiling axledit, a revolutionary new browser-based video editor with integrated collaboration, search, and publishing features, in booth 716, from March 13th through 16th.

Sam Bogoch, axle ai’s CEO, said “South By Southwest 2022 marks the return of the creative community to in-person conferences, and we’re thrilled to be demoing axledit in person for the first time.” It offers a fluid, radically simple browser interface, and user pricing tiers of Free, $10/month and $50/month. Users can sign up directly from the axledit website. Yet it provides a level of power and control previously only available to editing solutions running on laptops and workstations. You can also export your sequences from axledit to software like Adobe Premiere Pro, Avid Media Composer and Apple Final Cut Pro.

(Caption: axledit cloud collaborative video editor)

“What makes axledit so intriguing” said industry expert Larry Jordan, “is that it couples a media asset management back-end with a simple video editing interface at the front. While not a replacement for a stand-alone NLE, it makes new kinds of cloud-based video collaboration possible.”

axledit’s unique collaboration features allow not only browser-based review and approval by producers and clients, but also simultaneous editing sessions with a shared view of the current state of the timeline and playback. This capability is especially important in a world where remote work has become not only accepted, but the overwhelming choice of content professionals industrywide.

Other key axledit features include:

* Professional-style timeline with multiple audio and video tracks
* High speed, interrupt-resilient uploads of huge video files
* Effects and transitions
* Powerful sequence versioning
* The ability to directly import stock video content
* Access to axle ai on-premise and cloud media management servers

Direct publishing of edits to YouTube and Vimeo is another standout feature of axledit, allowing creators to manage, edit and publish their content directly to these leading platforms without ever having to download large media files, edit them or upload finished media to the cloud. axledit is available immediately, at www.axledit.com.

(Caption: South by Southwest booth 716)

Simultaneously, axle ai is announcing the release of axle ai 2022, its flagship AI-powered media management solution which can catalog and tag nearly any media on any combination of on-premise and cloud storage. Featuring an all-new user interface with a Dark theme, axle ai 2022 offers several key features including:

1. Integrated, super-affordable speech transcription ($1 per hour)
2. Integrated, fixed-cost face recognition
3. Integrated, fixed-cost logo recognition
4. Integrated, fixed-cost object recognition

Together, axledit and axle ai 2022 offer a complete solution to the needs of remote media teams who capture, edit, search and repurpose large amounts of video.

Pricing and availability:

axledit is available immediately on a monthly licensed basis. Available tiers are Free, $10 per user per month and $50 per user per month. In addition, an Enterprise tier is available with a number of key features including hybrid cloud/on-premise configurations, and workflow automations. Complete, private instances of the axledit cloud back end are also available on request for clients such as content studios who wish to have a ‘walled garden’ version specific to their network. All axledit and axle ai 2022 products are available through axle ai’s reseller/integrator network, featuring leading integrators such as Malaysia’s iPSB (axle’s preferred partner in the APAC region).

About axle ai, Inc.:

Axle ai (www.axle.ai) – We make media smarter. Axle ai is the recognized leader in developing radically simple media management software. Our solutions have helped over 800 organizations improve the way they create, share and store digital video content. axle’s radically simple media management uniquely addresses a burgeoning need and has caught on rapidly among video professionals in post-production, education, broadcast, corporate, sports, house of worship, non-profit, advertising-marketing, and government organizations worldwide. Axle ai, Inc. is a privately held company; its founders have extensive industry experience in video editing and media management. Investors include Stadia Ventures, Jason Calacanis’s LAUNCH accelerator, Overkill Ventures and Quake Capital.

Learn more at www.axle.ai and www.axledit.com

axledit – video editing collaboration in your browser:

https://www.youtube.com/watch?v=HOywqDkQmUo

Press & Media Contact:
Rachel Fearon
axle ai, Inc.
38 Fenway
Boston, MA 02215
United States
+1 415-225-1926
rachel@axle.ai
https://www.axledit.com

14 Hours Remaining to Invest in Axle.ai on Republic.co

Company announces $1m in bookings to date in 2021; new customers include WatchMojo, Serhant, ASG.

Boston, MA – USA | September 27, 2021 — Video management software vendor Axle.ai is in the home stretch of its 2nd successful equity crowdfund on Republic.co, which ends at midnight PDT today. Axle.ai’s previous equity crowdfunding round, in 2020, was oversubscribed, and this campaign has raised $283,000 (over 11x the original goal of $25,000) of a possible $428,000. The campaign page is at https://republic.co/axle-ai; a 3-minute pitch video featuring Axle.ai’s management can be viewed at tinyurl.com/axlein3mins. Investors can commit as little as $150 to participate in the campaign.

Today, Axle.ai announced it had received over $1m in orders to date in 2021, up from its 2020 tally of $667k and positioning the company to deliver its targeted $1.2-1.3m in revenue for the year. Recent orders include YouTube leaders WatchMojo and Million Dollar Listing star Ryan Serhant’s media team. The company has also been notified that ASG LLC, a leading systems integrator for the media industry, will be launching solutions featuring Axle.ai’s software in Q4.

There is a worldwide explosion of video content. IDC estimates that global data will accelerate exponentially to 175 zettabytes by 2025. A growing, double-digit percentage of this storage is used to house media files. Meanwhile, approximately 400,000 video teams worldwide are responsible for capturing, editing, and managing this content; more than 2/3 of it isn’t readily searchable or available for access after initial use. Axle.ai has more than 700 customers worldwide, including high-profile names such as the NY Yankees, Madison Square Garden, the LA Clippers, PWC, Elevation Church, WB and Paramount. A recent profile of reality-TV production house Pie Town can be viewed at youtu.be/H1xkcQ0YJO8.

Sam Bogoch, CEO of axle ai, said “For years, creative teams have needed a simplified and cost-efficient way to remotely search and manage their content. Our second successful Republic equity crowdfunding raise is helping us deliver these solutions more widely – we encourage everyone to visit republic.co/axle-ai today.”

Other highlights:

•    Last month, Axle.ai announced it had completed acquisition of Noscos, an AI/ML startup focusing on face recognition and logo recognition applications.

•    Another big win for Axle.ai during the crowdfund was securing its largest deal ever – a $365,000 deployment at a major Asia-Pacific region broadcaster.

•    In July, Seagate and Axle.ai announced a strategic partnership around Seagate’s Lyve and LaCie solutions. The companies have begun joint sales activities and have deployed the first combined system to Togethxr.com, a women’s sports media company backed by Alex Morgan and Sue Bird.

Press & Media Contact:
Katy Scott
axle ai, Inc.
+1 617-262-9222
www.axle.ai

Black-Owned FitTech Start-Up Aims to Fix Healthcare for African Americans

LOS ANGELES, CA, 2021-Sep-21 — /REAL TIME PRESS RELEASE/ — JunBugg Fitness Social Network, Wall Street’s “first and only luxury social media brand,” created by African American founder Louis Green, today announced the launch of its NextGen fitness website. Using computer algorithms, JunBugg integrate entertainment into health by sharing unique fitness solutions related to one’s body-type, that leads to better fitness results in least time — influencing success for a higher quality of life.

The start-up website boasts a sleek interface, vibrant logo, sophisticated font-type, and beautiful images, built on sophisticated software engineering. Through social engagement, members of similar health conditions and body-types share fitness strategies and medical solutions to get fit. JunBugg use algorithms that recommend relevant solutions to newsfeeds, the same technology that has allowed — TikTok, Netflix, and Amazon to be successful. The NextGen Search Database deliver relevant fitness matches for personalized training.

A personalized fitness solution, members engage, collaborate, and work as a team. Teamwork allows members to foster camaraderie, innovate, and better problem solve fitness and health obstacles. The bigger the network grows, the more cures that are created. Algorithms see patterns of successful fitness solutions, learns the most effective ones, and recommend them to newsfeeds. As solutions evolve and improve, the algorithm learns and thus recommend those.

The African American community was hit hard by COVID19, who stand to gain the most from JunBugg, for a higher quality of life. The platform is easily accessible and allows equal quality of health care while being affordable. The management of health conditions is the biggest benefit, and prevention of disease as opposed to disease treatment, by being fit through exercise and eating healthy. See boutique fitness solutions — https://www.junbugg.net

Unlike traditional social media services — TikTok, Facebook, Instagram, Snapchat, and Twitter, whose services are free, JunBugg’s boutique membership offerings range between $30 and $500 a month. Fees are comparable to other boutique studios and fitness services, such as — Equinox, SoulCycle, Peloton, and YogaWorks.

It’s all about fitness wealth and a higher quality of life. The first of its kind, JunBugg will forever change fitness and healthcare,” said Louis. “People are an amazing resource that’s never been used in this way — through the power of social media technology, to solve problems through entertainment.”

Media contact:

JunBugg
Louis Green
Los Angeles, Ca 90034
www.junbugg.net
PR@junbugg.net
310-967-9032

Logo:

JunBugg logo

Three New Awards Highlight Chocolate Moose Media’s Innovative Approach

OTTAWA, Canada, 2021-Sep-16 — /REAL TIME PRESS RELEASE/ — Awards are given at the international, national and local levels.

I am pleased to receive these recognitions because of their emphasis on innovation to create progressive social change.” — CMM Founder Firdaus Kharas

Chocolate Moose Media (CMM) has been named:

  • Most Innovative Animated Shorts Production Company 2021
  • Most Outstanding Innovative Short Film Producer – Canada
  • Top Social Startups and Companies in Ottawa (2021)

The naming by The Global 100 Awards, Corporate Vision Magazine, and Best Startup Ca respectively all cited innovation and societal impact in their criteria. The three awards add to the 115 other awards CMM and its founder have received.

About Chocolate Moose Media

Founded in Ottawa, Canada in 1995, Chocolate Moose Media (CMM) is the world’s leading producer of animated behaviour-change communications aimed at alleviating health, human rights and social issues around the world. Led by renowned social innovator, director and humanitarian Firdaus Kharas, CMM produces animation, documentaries, videos and television series designed to educate, entertain and change societal and individual behaviour in order to better the human condition. More than 3,600 animated videos in 245 language versions are available online without charge in a Vimeo channel.

Media contact:
Firdaus Kharas
www.chocmoose.com
(613) 820-6121

Logo:

Chocolate Moose Media logo