Tag Archives: Monterey Symphony

Second Concert of Monterey Symphony’s 2019-2020 Season, ‘Ovation,’ Nov. 16-17, 2019, Features Guest Pianist Kun Woo Paik

The second concert of the Monterey Symphony’s six-concert 74th season “Ovation” will be held Nov. 16-17, 2019, with pianist Kun Woo Paik returning to the Symphony to perform two piano concerti.

Monterey, CA, October 29, 2019 — The second concert of the Monterey Symphony’s six-concert 74th season “Ovation” will be held Nov. 16-17, 2019, with pianist Kun Woo Paik returning to the Symphony to perform two piano concerti.

Max Bragado-Darman will conduct Wolfgang Amadeus Mozart’s Piano Concerto No. 27, KV 595, and Johannes Brahms’ Piano Concerto No. 1, Op. 15, with guest pianist Paik.

Paik, winner of the Naumburg award and gold medallist at the Busoni International Piano Competitions, is considered one of the finest pianists of his generation.

Mozart’s Piano Concerto No. 27, KV 595 is his last piano concerto ever written. Myths surrounding both its composition and premiere give the work an air of mystery.

Elegant in nature, the Mozart is complemented by Johannes Brahms’ 1st Piano Concerto, the first work Brahms ever premiered from the piano! Although Brahms was only 25 when he composed the work, the melodies are mature and sophisticated. The piece was composed two years after Schumann’s death and explores a complex set of emotions. Schumann played an important role in Brahms’ life and it is hard to not see the connection between them in some of his works.

Paik came to prominence at the age of 10 performing Grieg’s Piano Concerto with the Korean National Orchestra. His international career took off soon after with his first New York recital at the Lincoln Center and his orchestral debut at Carnegie Hall.

Paik has collaborated all over the world with the most renowned conductors such as Zubin Mehta, Lorin Maazel, Mariss Jansons, Neville Marriner, Jiří Bělohlávek, Vladimir Jurowski, Dmitri Kitaenko, Paavo Järvi, and Ivan Fischer, with orchestras including the New York Philharmonic, London Symphony, BBC Symphony, St. Petersburg Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, Berlin Symphony, and the Deutsche Bremen Kammerphilharmonie. He has recently performed with the New York Philharmonic, Lucerne and Berlin Symphony orchestras and given recitals at Carnegie Hall, La Scala, the Mariinsky Theatre and all over Asia and Europe. His numerous recordings appear on BMG, Decca and Deutsche Grammophon. Kun Woo Paik studied at the Juilliard School in New York with Rosina Lhevinne and worked with Ilona Kabos, Guido Agosti and Wilhelm Kempff.

Performances on Saturdays are at 8 p.m. and Sundays at 3 p.m. One hour prior to every performance there will be a pre-concert lecture in the Hall of Sunset Center.

Subscriptions are available. Please contact the box office for availability at (831) 646-8511. For more information and pricing visit:

https://www.montereysymphony.org/subscriptions.htm

Single tickets are now on sale at www.montereysymphony.org.

The Symphony’s season continues with Concert No. 3, Feb. 15-16, 2020, and features two massive symphonic works, both weaving elegant stories for the listener. The fourth concert of the season is set for March 14-15, 2020, and features guest conductor Oleg Caetani making his debut with the Symphony.

Concert No. 5, April 18-19, 2020, features Symphony favorite, violinist Judith Ingolfsson, performing Brahms’ violin concerto. The sixth and final concert will highlight works by Richard Strauss and Gustav Mahler and be conducted by Symphony Music Director Max Bragado-Darman.

The roster of special events, luncheons and dinners includes six preview luncheons hosted on the Thursdays prior to each concert and five supper clubs to be held on Sundays after the matinee concerts (through April). Special Events culminate on May 17, 2020, with the Finale Celebration to give the Maestro a send-off worthy of his 15 years at the helm of the Symphony.

Concert 3: February 15-16, 2020

February’s program features two massive symphonic works, both weaving elegant stories for the listener. Edward Elgar’s Enigma Variations are comprised of 14 separate movements sketching a different friend or close acquaintance. Rather than depicting the person as a whole, a single element of their personality or relationship with Elgar is illustrated musically. The movement titles contain cryptograms or keys to the identity of the subject! Elgar started the work casually at the piano as an exercise to capture someone musically, and evolved it into a large and beloved symphonic work.

Nikolai Rimsky-Korsakov’s Scheherazade is based on the Arabian Nights. Replete with Russian folk melodies, many excerpts of this piece are used for Olympic figure skating – making it a well-known and recognized work. Rimsky-Korsakov worked tirelessly on this composition, along with his ornate Russian Easter Overture and the completion of Alexander Borodin’s opera Prince Igor. The work features stunning and virtuosic violin solos — not to be missed!

Max Bragado-Darman, conductor

Edward Elgar / Enigma Variations, Op. 36

Nikolai Rimsky-Korsakov / Scheherazade, Op. 35

Concert 4: March 14-15, 2020

Guest conductor Oleg Caetani hails from Italy and is making his debut with the Monterey Symphony. The son of famed conductor and composer, Igor Markevitch, Caetani completed his formal training at the Moscow Conservatory and graduated from the Saint Petersburg Conservatory. He won the RAI Competition and third prize at the Karajan Competition in Berlin.

Tchaikovsky’s 3rd Symphony, “Polish,” opens the program. This symphony is unique in that it is his only Symphony both in a major key, and containing five movements. The piece, sans first movement, was used by choreographer George Balanchine for Diamonds, the third and final part of his ballet Jewels. Various instruments are showcased in this iconic work, including a lovely flute solo in the third movement.

The second half of the program contains Shostakovich’s 15th Symphony, written in 1971 and premiered in Moscow, which is full of references to other composer’s works. Shostakovich tips his hat to Rossini and Glinka, as well as featuring the “Fate” motif from Richard Wagner’s Ring Cycle.

Oleg Caetani, one of the greatest conductors of his generation, moves freely between symphonic and opera repertoire. Caetani has conducted all over the world including: La Scala in Milan, the Mariinsky in Saint Petersburg, the Royal Opera House in London, the Opera House in San Francisco, the Musikverein in Vienna, Lincoln Center in New York and Suntory Hall in Japan, working with the greatest soloists of our days.

Oleg was chief designate at the ENO in 2005, chief designate 2002-2005 for the Melbourne Symphony Orchestra and Music Conductor and Artistic Director for the same orchestra from 2005 to 2009. Before that, Caetani was the Principal Conductor for the Staatskapelle Weimar, First Kapellmeister of the Frankfurt Opera and GMD in Wiesbaden and in Chemnitz.

Oleg Caetani, guest conductor

Piotr Ilyich Tchaikovsky / Symphony No. 3, Op. 29

Dmitri Shostakovich / Symphony No. 15, Op. 141

Concert 5: April 18-19, 2020

A Monterey Symphony favorite, violinist Judith Ingolfsson returns in April to perform Brahms’ violin concerto. Judith is currently Professor at the State University of Music and Performing Arts Stuttgart and co-artistic director and founder of the Festival “Aigues-Vives en Musiques” in France.

Brahms’ violin concerto was written for Joseph Joachim and is the only violin concerto he wrote. Marked by soaring melodies for the violin, it contains some of the most challenging passages for the instrument.

Jean Sibelius’ 2nd Symphony was started in Italy and completed in Helsinki. Sibelius himself declared the work “a confession of my soul.” The piece was premiered with the composer conducting and received three back-to-back sold out performances! A beloved work, after his wildly popular tone poem Finlandia, the 2nd Symphony is Sibelius at his finest with whimsical touches throughout!

Violinist Judith Ingolfsson is recognized for her intense, commanding performances, uncompromising musical maturity, and charismatic performance style. Based in Berlin and enjoying a global career, she performs as soloist, chamber musician and in recital as the Duo Ingolfsson-Stoupel. The New York Times has characterized her playing as producing “both fireworks and a singing tone” and Strings Magazine described her tone as “gorgeous, intense, and variable, flawlessly pure and beautiful in every register.”

Ingolfsson studied at the Curtis Institute of Music and at the Cleveland Institute of Music. She has also been appointed to the violin faculty at the Peabody Conservatory of the Johns Hopkins University.

Max Bragado-Darman, conductor

Johannes Brahms / Violin Concerto, Op. 77

Judith Ingolfsson, violin

Jean Sibelius / Symphony No. 2, Op. 43

Concert 6: May 16-17, 2020

The season concludes with Richard Strauss and Gustav Mahler. Both of these works require intense playing from the orchestra and give our fabulous Monterey Symphony the chance to boldly shine! Strauss’ Don Juan is a powerful tone poem for large orchestra featuring many passages used for Symphony auditions. The piece is based on the unfinished poem Don Juans Ende which tells the story of a man searching for love, which he never finds.

Symphony No. 1 by Gustav Mahler, or “The Titan,” was composed in 1887–1888 in Leipzig and premiered in 1889. There are as many as six versions of the work, as Mahler was impassioned about perfecting it. He borrowed from some of his own works, and highlighted certain lied, or songs, in the movements. At one point there was an additional movement, which Mahler rejected after the first few performances. This Symphony is massive, lush, and gorgeous — a fitting end to a season deserving of many ovations!

Max Bragado-Darman has served as Music Director of the Monterey Symphony since 2004. He was Music Director/Conductor of the Symphony Orchestra of Castile and León in Valladolid, Spain, for nine years. With this ensemble he recorded works of Turina and Rodrigo and the cello concerti of Alberto Ginastera on the Naxos Label. He also recorded the flute and clarinet concerti by Joan Tower on the Opus One label.

In 1995, Max Bragado-Darman was appointed Music Director and Conductor of the Louisville Orchestra. He has worked with artists Alicia de Larrocha, Teresa Berganza, Horacio Gutiérrez, Elmar Oliveira, Dubravka Tomsic, André Watts, Angel Romero, Gary Graffman, and Aaron Rosand.

In 2003, he made his debut at the Wexford Opera Festival with the Granados opera “María del Carmen.” His conducting has been guided by teachers Robert Fountain, Robert Baustian, George Szell, Igor Markevich and Franco Ferrara. He has been the conductor for the “Iturbi Piano Competition” in Valencia, Spain in several editions.

Max Bragado-Darman, conductor

Richard Strauss / Don Juan, Op. 20

Gustav Mahler / Symphony No. 1

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Barnet Segal Charitable Trust, The Berkshire Foundation, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The William H. and Kristine M. Schuyler Charitable Foundation, Inc., The Robert and Virginia Stanton Endowment, Teichert Foundation The Upjohn California Fund and many others.

For additional information, please call (831) 646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony Opens 74th Season Ovation Oct. 19-20 2019, With Works By Berlioz, Dvořák and Featuring Violinist and Concertmaster Christina Mok

The Monterey Symphony opens its 74th season Ovation on Oct. 19 and 20, 2019, with a party and concert at Sunset Center in Carmel.

Monterey, CA, September 30, 2019 — The Monterey Symphony opens its 74th season Ovation on Oct. 19 and 20, 2019, with a party and concert at Sunset Center in Carmel.

Celebrate the start of the 74th season with a sparkling, celestial party on the lower Terrace of the Sunset Center Saturday evening. Get in the mood for a season of Ovation with aerial artistry by Erin Jane, decadent desserts by Parker Lusseau and delicious local wines from Chalone Vineyards. Opening Night Party admission is included with all Saturday night tickets.

The season opens with Roman Carnival Overture, Op. 9 by Hector Berlioz, Antonín Dvořák’s Romance, Op.11 for violin and orchestra, featuring Concertmaster Christina Mok, and Berlioz’s Symphonie Fantastique. Romance, a delightful, single-movement work, was commissioned to serve as an annual musical tradition for the Provisional Theatre Orchestra in Prague. Based on a theme from the second movement of his fifth string quartet, Romance is a lovely interplay between the violinist and the orchestra. Other iterations of the melody were presented in his later works — it was an obvious favorite of Dvořák’s!

Berlioz’s Symphonie Fantastique, Op.14 takes the mercurial, and often tragic, life of an artist and sets it to music. The title underlines not only the fantastic musical fireworks that take place on stage, but also a fantasy Berlioz was demonstrating. Written as an homage to unrequited love—the result of too many unanswered love letters — Berlioz uses the voices of the instruments to explain his emotions. The work travels through the artist’s life, culminating in his own funeral in the wildly intense final movement.

Performances will be at 8 p.m. Saturday, Oct. 19 and 3 p.m. Sunday, Oct. 20, 2019.

There will be pre-concert lectures in the Hall of Sunset Center one hour prior to performances.

As part of the Symphony’s opening weekend, there will also be a Preview Luncheon Thursday, Oct. 17 at Los Laureles Lodge in Carmel Valley, and the first Sunday Supper Club to celebrate the season opening, Sunday, Oct. 20, at Billy Quon’s Sur Restaurant at the Barnyard in Carmel.

The October Preview Luncheon will be held at 11:30 a.m. Oct. 17, 2019, at Los Laureles Lodge, 313 W. Carmel Valley Road, Carmel Valley. Join the fellow Monterey Symphony fans for a Preview Luncheon at Los Laureles Lodge in Carmel Valley. Support classical music, enjoy great food and company, and enjoy an exclusive concert preview with Max Bragado-Darman and violinist Christina Mok, from the season-opening October concerts. Welcome reception at 11:30, lunch at noon, program at 1 p.m. Cost is $50 per person. RSVP by October 1, 2019. Priority parking available to offer a shorter walk to the venue. Sponsored by Marion Klein, Sally Maggio, and Los Laureles Lodge.

The October Supper Club will be held at 5:30 p.m. Oct. 20, 2019, at SUR Restaurant, 3601 The Barnyard, Carmel. Join the Symphony for the first Sunday Supper Club and celebrate the season opening at Billy Quon’s Sur Restaurant at the Barnyard. Cost is $75 per person. RSVP by Oct. 15, 2019

Please contact the box office for availability of season tickets at (831) 646-8511. For more information and pricing visit: http://www.montereysymphony.org/concerts-events/subscriptions

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Berkshire Foundation, The Barnet Segal Charitable Trust, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The Pebble Beach Company Foundation, The Robert and Virginia Stanton Endowment, Taylor Farms, The Yellow Brick Road Foundation and many others.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony Announces Four Finalists for Conductor Search

With the departure of Music Director and Conductor Max Bragado-Darman at the end of the 2019-2020 OVATION season, the Monterey Symphony’s search for a replacement has yielded four strong candidates with impressive credentials.

Monterey, CA, September 20, 2019 — With the departure of Music Director and Conductor Max Bragado-Darman at the end of the 2019-2020 OVATION season, the Monterey Symphony’s search for a replacement has yielded four strong candidates with impressive credentials.

The finalists include Donato Cabrera, the Music Director of the California Symphony and the Las Vegas Philharmonic; Jung-Ho Pak, Artistic Director and Conductor of the Cape Symphony; Jayce Ogren, who has conducted many of the world’s most prominent orchestras, including the Boston Symphony, Los Angeles Philharmonic, New York Philharmonic, and the Dallas and San Francisco Symphonies; and Peter Bay, the primary conductor for the Austin Symphony and Ballet Austin who has appeared with 75 different orchestras from Chicago and St. Louis to Germany and Austria. (For more detailed bios, see below.)

“A Music Director search gives an organization time to reflect on its roots, and where it would like to go artistically. We have a fabulous search committee with a shared philosophy. Now that we have named the finalists, we can devote all our attention to celebrating Max and his tremendous legacy,” said Nicola Reilly, the Symphony’s Executive Director.

Bragado-Darman announced in 2018 that he would leave his position as the music director and conductor in May 2020 to give time for the Symphony to find his successor. He was hired as the symphony’s full-time music director in July 2004, after appearing with the orchestra as a frequent guest conductor in the 1990s.

“I am humbled and honored to have served the Monterey Symphony for so many years,” he told the Monterey Herald in 2018 when announcing his departure. “Both Mary and I feel that Monterey is like a second home to us. I am deeply proud of this orchestra and consider it an absolute gem. The next two seasons, which are already planned, will be joyous for the organization.”

Support for the Music Director search was provided by the Buffett Fund at the Community Foundation for Monterey County and the Monterey Peninsula Foundation.

Finalist bios:

Donato Cabrera – OCTOBER 2020

Donato Cabrera is the Music Director of the California Symphony and the Las Vegas Philharmonic, and served as the Resident Conductor of the San Francisco Symphony and the Wattis Foundation Music Director of the San Francisco Symphony Youth Orchestra from 2009-2016.

Since Cabrera’s appointment as Music Director of the California Symphony in 2013, the organization has reached new artistic heights by implementing innovative programming that emphasizes welcoming newcomers and loyalists alike, building on its reputation for championing music by living composers, and committing to programming music by women and people of color. With a recently extended contract through the 2022-23 season, Cabrera continues to advise and oversee the Symphony’s music education programs and community engagement activities. Cabrera has also greatly changed the Las Vegas Philharmonic’s concert experience by expanding the scope and breadth of its orchestral concerts. Cabrera has also reenergized the Youth Concert Series by creating an engaging and interactive curriculum-based concert experience.

In recent seasons, Cabrera has made impressive debuts with the National Symphony’s KC Jukebox at the Kennedy Center, Louisville Orchestra, Hartford Symphony, Orquesta Filarmónica de Jalisco, New West Symphony, Kalamazoo Symphony, and the Reno Philharmonic. In 2016, he led the Chicago Symphony Orchestra in performances with Grammy Award-winning singer Lila Downs. Cabrera made his Carnegie Hall debut leading the world premiere of Mark Grey’s Atash Sorushan with soprano, Jessica Rivera.

Awards and fellowships include a Herbert von Karajan Conducting Fellowship at the Salzburg Festival and conducting the Nashville Symphony in the League of American Orchestra’s prestigious Bruno Walter National Conductor Preview. Donato Cabrera was recognized by the Consulate-General of Mexico in San Francisco as a Luminary of the Friends of Mexico Honorary Committee, for his contributions to promoting and developing the presence of the Mexican community in the Bay Area.

Jung-Ho Pak – NOVEMBER 2020

Described by the New York Times as a conductor who “radiates enthusiasm” and the Los Angeles Times as “a real grabber”, Jung-Ho Pak is known for his unique vision of the role of classical music. Since 2007 he has been Artistic Director and Conductor of the Cape Symphony. From 2003-2013, he has been Director of Orchestras and Music Director of the World Youth Symphony Orchestra and at the Interlochen Center for the Arts. In 2012, Mr. Pak stepped down after six seasons as Artistic Director and Conductor of Orchestra Nova (San Diego), an orchestra recognized for its innovative programs and business model. Mr. Pak is also Music Director Emeritus of the New Haven Symphony Orchestra. As Music Director of the San Diego Symphony Orchestra (1997-2002), Mr. Pak led the orchestra from bankruptcy to an unprecedented financial success.

As a nationally recognized educator, he served as Music Director with the University of Southern California (USC) Symphony and the San Francisco Conservatory of Music Orchestra. He has also served as Principal Conductor of the Emmy-nominated Disney Young Musicians Symphony Orchestra and as Music Director of the Debut Orchestra, International Chamber Orchestra, NEXT Chamber Orchestra, Colburn Chamber Orchestra, and Diablo Ballet. Guest conducting has taken him to Europe, Russia, South America and Asia. Mr. Pak is also a frequent speaker on television and radio including TED Talks and NPR appearances, as well as a clinician and conductor at national music festivals.

Jayce Ogren – FEBRUARY 2021

Jayce Ogren has established himself as one of the most innovative and versatile conductors of his generation. From symphonic concerts to revolutionary community service programs to operatic world premieres.

Mr. Ogren is a leader in breaking down barriers between audiences and great music. Mr. Ogren began his career as Assistant Conductor of The Cleveland Orchestra and Music Director of the Cleveland Youth Orchestra, a concurrent appointment he held from 2006-2009. In the years since, he has conducted many of the world’s most prominent orchestras, including the BBC Symphony, Boston Symphony, Ensemble Intercontemporain, Hong Kong Philharmonic, Los Angeles Philharmonic, New York Philharmonic, the Dallas and San Francisco Symphonies, and the Saint Paul Chamber Orchestra, in programs ranging from Mozart to Beethoven through Sibelius and Bernstein, to presenting U.S. and world premieres of works by Steve Mackey and Nico Muhly.

Among the numerous progressive projects Mr. Ogren has conducted are the New York premieres of Leonard Bernstein’s only opera, A Quiet Place, and puppeteer Basil Twist’s The Rite of Spring, both at Lincoln Center; the world premiere of David Lang’s symphony for a broken orchestra, bringing together 400 student, amateur and professional musicians in Philadelphia; and the world premiere of Jack Perla’s Shalimar the Clown at Opera Theatre of St. Louis.

A longtime collaborator of singer/songwriter/composer Rufus Wainwright, Mr. Ogren conducted the 2012 U.S. premiere of his opera Prima Donna at the Brooklyn Academy of Music, and led its recording with the BBC Symphony on Deutsche Grammaphon in 2016. Mr. Ogren and Mr. Wainwright have since appeared together throughout the world, with ensembles such as the National Arts Centre Orchestra in Ottawa, the Orchestre national d’Île-de-France in Paris and the Toronto Symphony.

A devoted educator, Mr. Ogren was invited by renowned poet Paul Muldoon to create an interdisciplinary studio class at Princeton University for the 2017-2018 academic year. He has worked with students at the Brevard Music Center, the Juilliard School, Manhattan School of Music, Music Academy of the West and Verbier Festival. In 2016, he presented a unique workshop in orchestral rehearsal techniques for music teachers at Carnegie Hall in collaboration with the Carnegie Hall Weill Music Institute and the Juilliard School Pre-College. For his own part, Mr. Ogren earned his Masters in conducting at the New England Conservatory and studied as a Fulbright Scholar with Jorma Panula.

A native of Hoquiam, Washington, Jayce Ogren lives in Brooklyn, New York with his wife Carly, an architect, and their son, Alistair. An avid athlete, he has run the Big Sur, Boston and New York City marathons, the JFK 50 Miler trail run, and the Ironman Lake Placid triathlon. As an individual member of 1% for the Planet, Mr. Ogren is proud to connect his artistic work with his deep love of nature and concern for the environment.

Peter Bay – MARCH 2021

Maestro Bay has appeared with seventy-five different orchestras including the National, Chicago, St. Louis, Houston, Dallas, Baltimore, New Jersey, North Carolina, Tucson, West Virginia, Colorado, Hawaii, Sarasota, Fort Worth, Bochum (Germany), Carinthian (Austria), Lithuanian National, and Ecuador National Symphonies, the Minnesota and Algarve (Portugal) Orchestras, the Louisiana, Buffalo, Rhode Island Philharmonics, the St. Paul Chamber Orchestra, the Eastman (Postcard from Morocco) and Aspen (The Ballad of Baby Doe) Opera Theaters, and the Theater Chamber Players of the Kennedy Center. Summer music festival appearances have included Aspen and Music in the Mountains (CO), Grant Park and Ravinia (IL), Round Top (TX), OK Mozart (OK) and Skaneateles (NY).

Peter is the primary conductor for Ballet Austin. For Austin Opera he has conducted A Streetcar Named Desire, La Traviata, Turandot, and The Marriage of Figaro.

Other positions held by Bay have included Music Director of the Erie Philharmonic, Annapolis Symphony Orchestra, Breckenridge Music Festival (CO), Britt Festival Orchestra (OR), and posts with the Rochester Philharmonic Orchestra and Richmond Symphony. Bay and the ASO with pianist Anton Nel released a critically acclaimed Bridge CD of Edward Burlingame Hill’s music. With the Richmond Symphony he recorded the US premiere of Britten’s The Sword in the Stone for Opus One Records, and with the Rochester Philharmonic Orchestra Voices, featuring the percussion ensemble NEXUS.

In 1994, he was one of two conductors selected to participate in the Leonard Bernstein American Conductors Program. He was the first prize winner of the 1980 Baltimore Symphony Orchestra Young Conductors Competition and a prize winner of the 1987 Leopold Stokowski Competition sponsored by the American Symphony Orchestra. In July 2012 he appeared in Solo Symphony, a choreographic work created for him by Allison Orr of Forklift Danceworks.

Peter is married to soprano Mela Dailey and they have a son Colin.

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

https://www.montereysymphony.org/

Single-Concert Tickets for Monterey Symphony’s 2019-2020 Season, ‘Ovation,’ Go On Sale Aug. 15

Single tickets for concerts and special events for the Monterey Symphony’s 2019-2020 Season, “Ovation,” go on sale at 12 a.m. Thursday, Aug. 15. Tickets range from $44 – $85.

Monterey, CA, August 05, 2019 — Single tickets for concerts and special events for the Monterey Symphony’s 2019-2020 Season, “Ovation,” go on sale at 12 a.m. Thursday, Aug. 15. Tickets range from $44 – $85.

The Symphony’s six-concert 74th season “Ovation” opens on Oct. 19-20, 2019, with Antonín Dvořák’s Romance for violin and orchestra, featuring concertmaster Christina Mok. The season continues Nov. 15-16, with pianist Kun Woo Paik returning to the Symphony to perform two piano concerti.

Concert No. 3 is Feb. 15-16, 2020, featuring two massive symphonic works, both weaving elegant stories for the listener. The fourth concert of the season is set for March 14-15, 2020, and features guest conductor Oleg Caetani making his debut with the Symphony.

Concert No. 5, April 18-19, 2020, features Symphony favorite, violinist Judith Ingolfsson, performing Brahms’ violin concerto. The sixth and final concert will highlight works by Richard Strauss and Gustav Mahler and be conducted by Symphony Music Director Max Bragado-Darman.

The roster of special events, luncheons and dinners kicks off Oct. 6, 2019 with the Symphony’s Paella Cook-Off pitting Maestro Bragado-Darman’s legendary paella in a friendly competition with a local celebrity chef, Angela Tamura, Chef de Cuisine at Peppoli and the Inn at Spanish Bay. This fiesta will feature Spanish guitarist Cerro Negro Trio and flamenco dancing by Melissa Cruz. Six preview luncheons will be hosted on the Thursdays prior to each concert and five supper clubs will be held on Sundays after the matinee concerts (October-April). Special Events culminate on May 17, 2020, with the Finale Celebration to give the Maestro a send-off worthy of his 15 years at the helm of the Symphony.

Concert 1: October 19-20, 2019

The Monterey Symphony opens its 74th season Ovation with Antonín Dvořák’s Romance for violin and orchestra, featuring concertmaster Christina Mok. This delightful, single-movement work was commissioned to serve as an annual musical tradition for the Provisional Theatre Orchestra in Prague. Based on a theme from the second movement of his fifth string quartet, Romance is a lovely interplay between the violinist and the orchestra. Other iterations of the melody were presented in his later works — it was an obvious favorite of Dvořák’s!

Hector Berlioz’s Symphonie Fantastique takes the mercurial, and often tragic, life of an artist and sets it to music. The title underlines not only the fantastic musical fireworks that take place on stage, but also a fantasy Berlioz was demonstrating. Written as an homage to unrequited love—the result of too many unanswered love letters — Berlioz uses the voices of the instruments to explain his emotions. The work travels through the artist’s life, culminating in his own funeral in the wildly intense final movement.

Violinist Christina Mok has captivated audiences with her solo performances, chamber recitals, and orchestral leadership. She has appeared as a soloist with the Russian Federal Symphony Orchestra, the Janacek Philharmonic, and the Seoul Symphony Orchestra, among others. The San Jose Mercury declared of one of her concerto performances, “She was a spellbinder as she dug in and let it fly — there was no need to long for Itzhak Perlman or Gil Shaham.”

As a chamber musician she has performed in Korea, Japan, England, Norway, Hong Kong, and the United States. Her recitals have been broadcast on the BBC and RTHK. She is the Concertmaster of the Stockton Symphony and the Monterey Symphony and the Associate Concertmaster of Symphony Silicon Valley.

Max Bragado-Darman, conductor

Antonín Dvořák / Romance, Op. 11

Christina Mok, violin

Hector Berlioz / Symphonie Fantastique, Op. 14

Concert 2: November 16-17, 2019

Pianist Kun Woo Paik returns to the Monterey Symphony to perform two piano concerti. Paik, winner of the Naumburg award and gold medallist at the Busoni International Piano Competitions, is considered one of the finest pianists of his generation.

Mozart’s Piano Concerto No. 27, KV 595 is his last piano concerto ever written. Myths surrounding both its composition and premiere give the work an air of mystery.

Elegant in nature, the Mozart is complemented by Johannes Brahms’ 1st Piano Concerto, the first work Brahms ever premiered from the piano! Although Brahms was only 25 when he composed the work, the melodies are mature and sophisticated. The piece was composed two years after Schumann’s death and explores a complex set of emotions. Schumann played an important role in Brahms’ life and it is hard to not see the connection between them in some of his works.

Kun Woo Paik came to prominence at the age of ten performing Grieg’s Piano Concerto with the Korean National Orchestra. His international career took off soon after with his first New York recital at the Lincoln Center and his orchestral debut at Carnegie Hall.

Paik has collaborated all over the world with the most renowned conductors such as Zubin Mehta, Lorin Maazel, Mariss Jansons, Neville Marriner, Jiří Bělohlávek, Vladimir Jurowski, Dmitri Kitaenko, Paavo Järvi, and Ivan Fischer, with orchestras including the New York Philharmonic, London Symphony, BBC Symphony, St. Petersburg Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, Berlin Symphony, and the Deutsche Bremen Kammerphilharmonie. He has recently performed with the New York Philharmonic, Lucerne and Berlin Symphony orchestras and given recitals at Carnegie Hall, La Scala, the Mariinsky Theatre and all over Asia and Europe. His numerous recordings appear on BMG, Decca and Deutsche Grammophon. Kun Woo Paik studied at the Juilliard School in New York with Rosina Lhevinne and worked with Ilona Kabos, Guido Agosti and Wilhelm Kempff.

Max Bragado-Darman, conductor

W.A. Mozart / Piano Concerto No. 27, KV 595

Kun Woo Paik, piano

Johannes Brahms / Piano Concerto No. 1, Op. 15

Kun Woo Paik, piano

Concert 3: February 15-16, 2020

February’s program features two massive symphonic works, both weaving elegant stories for the listener. Edward Elgar’s Enigma Variations are comprised of 14 separate movements sketching a different friend or close acquaintance. Rather than depicting the person as a whole, a single element of their personality or relationship with Elgar is illustrated musically. The movement titles contain cryptograms or keys to the identity of the subject! Elgar started the work casually at the piano as an exercise to capture someone musically, and evolved it into a large and beloved symphonic work.

Nikolai Rimsky-Korsakov’s Scheherazade is based on the Arabian Nights. Replete with Russian folk melodies, many excerpts of this piece are used for Olympic figure skating – making it a well-known and recognized work. Rimsky-Korsakov worked tirelessly on this composition, along with his ornate Russian Easter Overture and the completion of Alexander Borodin’s opera Prince Igor. The work features stunning and virtuosic violin solos — not to be missed!

Max Bragado-Darman, conductor

Edward Elgar / Enigma Variations, Op. 36

Nikolai Rimsky-Korsakov / Scheherazade, Op. 35

Concert 4: March 14-15, 2020

Guest conductor Oleg Caetani hails from Italy and is making his debut with the Monterey Symphony. The son of famed conductor and composer, Igor Markevitch, Caetani completed his formal training at the Moscow Conservatory and graduated from the Saint Petersburg Conservatory. He won the RAI Competition and third prize at the Karajan Competition in Berlin.

Tchaikovsky’s 3rd Symphony, “Polish,” opens the program. This symphony is unique in that it is his only Symphony both in a major key, and containing five movements. The piece, sans first movement, was used by choreographer George Balanchine for Diamonds, the third and final part of his ballet Jewels. Various instruments are showcased in this iconic work, including a lovely flute solo in the third movement.

The second half of the program contains Shostakovich’s 15th Symphony, written in 1971 and premiered in Moscow, which is full of references to other composer’s works. Shostakovich tips his hat to Rossini and Glinka, as well as featuring the “Fate” motif from Richard Wagner’s Ring Cycle.

Oleg Caetani, one of the greatest conductors of his generation, moves freely between symphonic and opera repertoire. Caetani has conducted all over the world including: La Scala in Milan, the Mariinsky in Saint Petersburg, the Royal Opera House in London, the Opera House in San Francisco, the Musikverein in Vienna, Lincoln Center in New York and Suntory Hall in Japan, working with the greatest soloists of our days.

Oleg was chief designate at the ENO in 2005, chief designate 2002-2005 for the Melbourne Symphony Orchestra and Music Conductor and Artistic Director for the same orchestra from 2005 to 2009. Before that, Caetani was the Principal Conductor for the Staatskapelle Weimar, First Kapellmeister of the Frankfurt Opera and GMD in Wiesbaden and in Chemnitz.

Oleg Caetani, guest conductor

Piotr Ilyich Tchaikovsky / Symphony No. 3, Op. 29

Dmitri Shostakovich / Symphony No. 15, Op. 141

Concert 5: April 18-19, 2020

A Monterey Symphony favorite, violinist Judith Ingolfsson returns in April to perform Brahms’ violin concerto. Judith is currently Professor at the State University of Music and Performing Arts Stuttgart and co-artistic director and founder of the Festival “Aigues-Vives en Musiques” in France.

Brahms’ violin concerto was written for Joseph Joachim and is the only violin concerto he wrote. Marked by soaring melodies for the violin, it contains some of the most challenging passages for the instrument.

Jean Sibelius’ 2nd Symphony was started in Italy and completed in Helsinki. Sibelius himself declared the work “a confession of my soul.” The piece was premiered with the composer conducting and received three back-to-back sold out performances! A beloved work, after his wildly popular tone poem Finlandia, the 2nd Symphony is Sibelius at his finest with whimsical touches throughout!

Violinist Judith Ingolfsson is recognized for her intense, commanding performances, uncompromising musical maturity, and charismatic performance style. Based in Berlin and enjoying a global career, she performs as soloist, chamber musician and in recital as the Duo Ingolfsson-Stoupel. The New York Times has characterized her playing as producing “both fireworks and a singing tone” and Strings Magazine described her tone as “gorgeous, intense, and variable, flawlessly pure and beautiful in every register.”

Ingolfsson studied at the Curtis Institute of Music and at the Cleveland Institute of Music. She has also been appointed to the violin faculty at the Peabody Conservatory of the Johns Hopkins University.

Max Bragado-Darman, conductor

Johannes Brahms / Violin Concerto, Op. 77

Judith Ingolfsson, violin

Jean Sibelius / Symphony No. 2, Op. 43

Concert 6: May 16-17, 2020

The season concludes with Richard Strauss and Gustav Mahler. Both of these works require intense playing from the orchestra and give our fabulous Monterey Symphony the chance to boldly shine! Strauss’ Don Juan is a powerful tone poem for large orchestra featuring many passages used for Symphony auditions. The piece is based on the unfinished poem Don Juans Ende which tells the story of a man searching for love, which he never finds.

Symphony No. 1 by Gustav Mahler, or “The Titan,” was composed in 1887–1888 in Leipzig and premiered in 1889. There are as many as six versions of the work, as Mahler was impassioned about perfecting it. He borrowed from some of his own works, and highlighted certain lied, or songs, in the movements. At one point there was an additional movement, which Mahler rejected after the first few performances. This Symphony is massive, lush, and gorgeous — a fitting end to a season deserving of many ovations!

Max Bragado-Darman has served as Music Director of the Monterey Symphony since 2004. He was Music Director/Conductor of the Symphony Orchestra of Castile and León in Valladolid, Spain, for nine years. With this ensemble he recorded works of Turina and Rodrigo and the cello concerti of Alberto Ginastera on the Naxos Label. He also recorded the flute and clarinet concerti by Joan Tower on the Opus One label.

In 1995, Max Bragado-Darman was appointed Music Director and Conductor of the Louisville Orchestra. He has worked with artists Alicia de Larrocha, Teresa Berganza, Horacio Gutiérrez, Elmar Oliveira, Dubravka Tomsic, André Watts, Angel Romero, Gary Graffman, and Aaron Rosand.

In 2003, he made his debut at the Wexford Opera Festival with the Granados opera “María del Carmen.” His conducting has been guided by teachers Robert Fountain, Robert Baustian, George Szell, Igor Markevich and Franco Ferrara. He has been the conductor for the “Iturbi Piano Competition” in Valencia, Spain in several editions.

Max Bragado-Darman, conductor

Richard Strauss / Don Juan, Op. 20

Gustav Mahler / Symphony No. 1

Performances on Saturdays are at 8 p.m. and Sundays at 3 p.m. One hour prior to every performance there will be a pre-concert lecture in the Hall of Sunset Center.

Subscriptions are available. Please contact the box office for availability at (831) 646-8511. For more information and pricing visit:https://www.montereysymphony.org/subscriptions.html

Single tickets go on sale Aug. 15, 2019, at www.montereysymphony.org.

New subscriptions are also available now. Please contact the box office for availability at (831) 646-8511. For more information and pricing visit: http://www.montereysymphony.org/concerts-events/subscriptions

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Barnet Segal Charitable Trust, The Berkshire Foundation, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The William H. and Kristine M. Schuyler Charitable Foundation, Inc., The Robert and Virginia Stanton Endowment, Teichert Foundation The Upjohn California Fund and many others.

For additional information, please call (831) 646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony Announces 2019-2020 Season No. 74 of Concerts, Ovation, Youth Concerts, Plus Special Events, Luncheons and Dinners

Monterey Symphony has announced its 2019-20 Season 74, Ovation, with six concerts, youth concerts, special events, luncheons and supper clubs through May 2020.

Monterey, CA, July 07, 2019 — Monterey Symphony has announced its 2019-20 Season 74, Ovation, with six concerts, youth concerts, special events, luncheons and supper clubs through May 2020.

The Symphony opens Ovation Oct. 19-20, 2019, with Antonín Dvořák’s Romance for violin and orchestra, featuring concertmaster Christina Mok. The season continues Nov. 16-17, with pianist Kun Woo Paik returning to the Symphony to perform two piano concerti. Concert No. 3 is Feb. 15-16, 2020, featuring two massive symphonic works, both weaving elegant stories for the listener. The fourth concert of the season is set for March 14-15, 2020, and features guest conductor Oleg Caetani making his debut with the Symphony. Concert No. 5, April 18-19, 2020, features Symphony favorite, violinist Judith Ingolfsson performing Brahms’ violin concerto. The sixth and final concert, May 16-17, will highlight works by Richard Strauss and Gustav Mahler and be conducted by Symphony Music Director Max Bragado-Darman.

The roster of special events, luncheons and dinners kicks off Oct. 6, 2019 with the Symphony’s Paella Cook-Off pitting Maestro Bragado-Darman’s legendary paella in a friendly competition with a local celebrity chef and culminates May 17, 2020, with the Finale Celebration to give the Maestro a send-off worthy of his 15 years at the helm of the Symphony. Six preview luncheons will be hosted on the Thursdays prior to each concert and five supper clubs will be held on Sundays after the matinee concerts (October-April).

Eight Youth Concerts will be presented during the 2019-2020 season. Half the concerts will be held at Sherwood Hall in Salinas on Oct. 21 and May 18, and the other half at the Sunset Center in Carmel on March 16 and April 20. For more information, visit www.montereysymphony.org/youth-concerts.

Concert 1: October 19-20, 2019

The Monterey Symphony opens its 74th season Ovation with Antonín Dvořák’s Romance for violin and orchestra, featuring concertmaster Christina Mok. This delightful, single-movement work was commissioned to serve as an annual musical tradition for the Provisional Theatre Orchestra in Prague. Based on a theme from the second movement of his fifth string quartet, Romance is a lovely interplay between the violinist and the orchestra. Other iterations of the melody were presented in his later works — it was an obvious favorite of Dvořák’s!

Hector Berlioz’s Symphonie Fantastique takes the mercurial, and often tragic, life of an artist and sets it to music. The title underlines not only the fantastic musical fireworks that take place on stage, but also a fantasy Berlioz was demonstrating. Written as an homage to unrequited love—the result of too many unanswered love letters — Berlioz uses the voices of the instruments to explain his emotions. The work travels through the artist’s life, culminating in his own funeral in the wildly intense final movement.

Violinist Christina Mok has captivated audiences with her solo performances, chamber recitals, and orchestral leadership. She has appeared as a soloist with the Russian Federal Symphony Orchestra, the Janacek Philharmonic, and the Seoul Symphony Orchestra, among others. The San Jose Mercury declared of one of her concerto performances, “She was a spellbinder as she dug in and let it fly — there was no need to long for Itzhak Perlman or Gil Shaham.”

As a chamber musician she has performed in Korea, Japan, England, Norway, Hong Kong, and the United States. Her recitals have been broadcast on the BBC and RTHK. She is the Concertmaster of the Stockton Symphony and the Monterey Symphony and the Associate Concertmaster of Symphony Silicon Valley.

Max Bragado-Darman, conductor

Antonín Dvořák / Romance, Op. 11

Christina Mok, violin

Hector Berlioz / Symphonie Fantastique, Op. 14

Concert 2: November 16-17, 2019

Pianist Kun Woo Paik returns to the Monterey Symphony to perform two piano concerti. Paik, winner of the Naumburg award and gold medallist at the Busoni International Piano Competitions, is considered one of the finest pianists of his generation.

Mozart’s Piano Concerto No. 27, KV 595 is his last piano concerto ever written. Myths surrounding both its composition and premiere give the work an air of mystery.

Elegant in nature, the Mozart is complemented by Johannes Brahms’ 1st Piano Concerto, the first work Brahms ever premiered from the piano! Although Brahms was only 25 when he composed the work, the melodies are mature and sophisticated. The piece was composed two years after Schumann’s death and explores a complex set of emotions. Schumann played an important role in Brahms’ life and it is hard to not see the connection between them in some of his works.

Kun Woo Paik came to prominence at the age of ten performing Grieg’s Piano Concerto with the Korean National Orchestra. His international career took off soon after with his first New York recital at the Lincoln Center and his orchestral debut at Carnegie Hall.

Paik has collaborated all over the world with the most renowned conductors such as Zubin Mehta, Lorin Maazel, Mariss Jansons, Neville Marriner, Jiří Bělohlávek, Vladimir Jurowski, Dmitri Kitaenko, Paavo Järvi, and Ivan Fischer, with orchestras including the New York Philharmonic, London Symphony, BBC Symphony, St. Petersburg Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, Berlin Symphony, and the Deutsche Bremen Kammerphilharmonie. He has recently performed with the New York Philharmonic, Lucerne and Berlin Symphony orchestras and given recitals at Carnegie Hall, La Scala, the Mariinsky Theatre and all over Asia and Europe. His numerous recordings appear on BMG, Decca and Deutsche Grammophon. Kun Woo Paik studied at the Juilliard School in New York with Rosina Lhevinne and worked with Ilona Kabos, Guido Agosti and Wilhelm Kempff.

Max Bragado-Darman, conductor

W.A. Mozart / Piano Concerto No. 27, KV 595

Kun Woo Paik, piano

Johannes Brahms / Piano Concerto No. 1, Op. 15

Kun Woo Paik, piano

Concert 3: February 15-16, 2020

February’s program features two massive symphonic works, both weaving elegant stories for the listener. Edward Elgar’s Enigma Variations are comprised of 14 separate movements sketching a different friend or close acquaintance. Rather than depicting the person as a whole, a single element of their personality or relationship with Elgar is illustrated musically. The movement titles contain cryptograms or keys to the identity of the subject! Elgar started the work casually at the piano as an exercise to capture someone musically, and evolved it into a large and beloved symphonic work.

Nikolai Rimsky-Korsakov’s Scheherazade is based on the Arabian Nights. Replete with Russian folk melodies, many excerpts of this piece are used for Olympic figure skating – making it a well-known and recognized work. Rimsky-Korsakov worked tirelessly on this composition, along with his ornate Russian Easter Overture and the completion of Alexander Borodin’s opera Prince Igor. The work features stunning and virtuosic violin solos — not to be missed!

Max Bragado-Darman, conductor

Edward Elgar / Enigma Variations, Op. 36

Nikolai Rimsky-Korsakov / Scheherazade, Op. 35

Concert 4: March 14-15, 2020

Guest conductor Oleg Caetani hails from Italy and is making his debut with the Monterey Symphony. The son of famed conductor and composer, Igor Markevitch, Caetani completed his formal training at the Moscow Conservatory and graduated from the Saint Petersburg Conservatory. He won the RAI Competition and third prize at the Karajan Competition in Berlin.

Tchaikovsky’s 3rd Symphony, “Polish,” opens the program. This symphony is unique in that it is his only Symphony both in a major key, and containing five movements. The piece, sans first movement, was used by choreographer George Balanchine for Diamonds, the third and final part of his ballet Jewels. Various instruments are showcased in this iconic work, including a lovely flute solo in the third movement.

The second half of the program contains Shostakovich’s 15th Symphony, written in 1971 and premiered in Moscow, which is full of references to other composer’s works. Shostakovich tips his hat to Rossini and Glinka, as well as featuring the “Fate” motif from Richard Wagner’s Ring Cycle.

Oleg Caetani, one of the greatest conductors of his generation, moves freely between symphonic and opera repertoire. Caetani has conducted all over the world including: La Scala in Milan, the Mariinsky in Saint Petersburg, the Royal Opera House in London, the Opera House in San Francisco, the Musikverein in Vienna, Lincoln Center in New York and Suntory Hall in Japan, working with the greatest soloists of our days.

Oleg was chief designate at the ENO in 2005, chief designate 2002-2005 for the Melbourne Symphony Orchestra and Music Conductor and Artistic Director for the same orchestra from 2005 to 2009. Before that, Caetani was the Principal Conductor for the Staatskapelle Weimar, First Kapellmeister of the Frankfurt Opera and GMD in Wiesbaden and in Chemnitz.

Oleg Caetani, guest conductor

Piotr Ilyich Tchaikovsky / Symphony No. 3, Op. 29

Dmitri Shostakovich / Symphony No. 15, Op. 141

Concert 5: April 18-19, 2020

A Monterey Symphony favorite, violinist Judith Ingolfsson returns in April to perform Brahms’ violin concerto. Judith is currently Professor at the State University of Music and Performing Arts Stuttgart and co-artistic director and founder of the Festival “Aigues-Vives en Musiques” in France.

Brahms’ violin concerto was written for Joseph Joachim and is the only violin concerto he wrote. Marked by soaring melodies for the violin, it contains some of the most challenging passages for the instrument.

Jean Sibelius’ 2nd Symphony was started in Italy and completed in Helsinki. Sibelius himself declared the work “a confession of my soul.” The piece was premiered with the composer conducting and received three back-to-back sold out performances! A beloved work, after his wildly popular tone poem Finlandia, the 2nd Symphony is Sibelius at his finest with whimsical touches throughout!

Violinist Judith Ingolfsson is recognized for her intense, commanding performances, uncompromising musical maturity, and charismatic performance style. Based in Berlin and enjoying a global career, she performs as soloist, chamber musician and in recital as the Duo Ingolfsson-Stoupel. The New York Times has characterized her playing as producing “both fireworks and a singing tone” and Strings Magazine described her tone as “gorgeous, intense, and variable, flawlessly pure and beautiful in every register.”

Ingolfsson studied at the Curtis Institute of Music and at the Cleveland Institute of Music. She has also been appointed to the violin faculty at the Peabody Conservatory of the Johns Hopkins University.

Max Bragado-Darman, conductor

Johannes Brahms / Violin Concerto, Op. 77

Judith Ingolfsson, violin

Jean Sibelius / Symphony No. 2, Op. 43

Concert 6: May 16-17, 2020

The season concludes with Richard Strauss and Gustav Mahler. Both of these works require intense playing from the orchestra and give our fabulous Monterey Symphony the chance to boldly shine! Strauss’ Don Juan is a powerful tone poem for large orchestra featuring many passages used for Symphony auditions. The piece is based on the unfinished poem Don Juans Ende which tells the story of a man searching for love, which he never finds.

Symphony No. 1 by Gustav Mahler, or “The Titan,” was composed in 1887–1888 in Leipzig and premiered in 1889. There are as many as six versions of the work, as Mahler was impassioned about perfecting it. He borrowed from some of his own works, and highlighted certain lied, or songs, in the movements. At one point there was an additional movement, which Mahler rejected after the first few performances. This Symphony is massive, lush, and gorgeous — a fitting end to a season deserving of many ovations!

Max Bragado-Darman has served as Music Director of the Monterey Symphony since 2004. He was Music Director/Conductor of the Symphony Orchestra of Castile and León in Valladolid, Spain, for nine years. With this ensemble he recorded works of Turina and Rodrigo and the cello concerti of Alberto Ginastera on the Naxos Label. He also recorded the flute and clarinet concerti by Joan Tower on the Opus One label.

In 1995, Max Bragado-Darman was appointed Music Director and Conductor of the Louisville Orchestra. He has worked with artists Alicia de Larrocha, Teresa Berganza, Horacio Gutiérrez, Elmar Oliveira, Dubravka Tomsic, André Watts, Angel Romero, Gary Graffman, and Aaron Rosand.

In 2003, he made his debut at the Wexford Opera Festival with the Granados opera “María del Carmen.” His conducting has been guided by teachers Robert Fountain, Robert Baustian, George Szell, Igor Markevich and Franco Ferrara. He has been the conductor for the “Iturbi Piano Competition” in Valencia, Spain in several editions.

Max Bragado-Darman, conductor

Richard Strauss / Don Juan, Op. 20

Gustav Mahler / Symphony No. 1

Performances on Saturdays are at 8 p.m. and Sundays at 3 p.m. One hour prior to every performance there will be a pre-concert lecture in the Hall of Sunset Center.

New subscriptions become available on July 1, 2019. Please contact the box office for availability at (831) 646-8511. For more information and pricing visit: https://www.montereysymphony.org/subscriptions.htm

Single tickets go on sale Aug. 15, 2019, at www.montereysymphony.org.

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Barnet Segal Charitable Trust, The Berkshire Foundation, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The William H. and Kristine M. Schuyler Charitable Foundation, Inc., The Robert and Virginia Stanton Endowment, Teichert Foundation The Upjohn California Fund and many others.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony’s 2018-2019 Season, ‘Sound Waves,’ Concludes in May with Sixth Concert, Special Event Luncheon and Gala By The Bay Benefit

Monterey Symphony’s 2018-19 Season, “Sound Waves,” concludes in 2019 with concerts on May 18-19

Monterey, CA, April 24, 2019 — Monterey Symphony’s 2018-19 Season, “Sound Waves,” concludes in 2019 with concerts on May 18-19, the annual Gala By The Bay benefit on May 3, and the final special event luncheon on May 16.

The sixth and final concert of the season, “Sound Waves,” will be held the weekend of May 18-19, at the Sunset Center in Carmel.

Gala By The Bay will be held from 6-10 p.m. Friday, May 3, 2019, at the Monterey Bay Aquarium, and the May Luncheon will be held at 11:30 a.m. May 16, 2019, MPCC Beach House, 3000 Club Road, in Pebble Beach.

The final concert of the season will conclude in grand fashion with music by Wagner, Chopin, and Beethoven. Richard Wagner composed many brilliant overtures throughout his many German operas, including the overture from “The Flying Dutchman,” featured as the opening work in the season finale. Chopin’s stunning Piano Concerto No. 2, Op. 21, follows, with magnificent Cuban pianist Marcos Madrigal performing the popular work, composed before Chopin completed his formal education at age 20.

The season ends with one of the greatest compositions for the concert hall of all time: Beethoven’s Symphony No. 5, Op. 67. A favorite among experienced and new audiences, musicians and conductors, the fifth endeavor in the symphony genre struck a chord for Beethoven, as he discovered his true forte — it is the “Stairway to Heaven” of classical music.

The final concert of the 2018-19 season will be held at 8 p.m. Saturday, May 18, and 3 p.m. Sunday, May 19 at the Sunset Center in Carmel and conducted by Symphony Music Director Max Bragado-Darman.

The lineup of special events concludes with the Gala By The Bay on May 3, at the Monterey Bay Aquarium, and a final luncheon on May 16.

Gala By The Bay

May 3, 2019, 6:00-10 p.m.

Monterey Bay Aquarium, Cannery Row, Monterey

Join the Monterey Symphony in a celebration of the stunning natural and artistic beauty of the Monterey Bay. Enjoy a gourmet seated dinner, delicious wines and private access to the renowned Monterey Bay Aquarium and its Open Ocean exhibit. Live auction and musical moments with your own Symphony performers await you, with ocean-themed surprises and more. All proceeds benefit the Monterey Symphony and our Music for the Schools initiative.

May Luncheon

May 16, 2019, 11:30 a.m.

MPCC Beach House, 3000 Club Road, Pebble Beach

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person.

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

For more information on special events, go to https://www.montereysymphony.org/special-events.htm.

To purchase concert tickets, go to www.montereysymphony.org

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Berkshire Foundation, The Barnet Segal Charitable Trust, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The Pebble Beach Company Foundation, S.T.A.R. Foundation, The Robert and Virginia Stanton Endowment, Taylor Farms, Union Bank, The Yellow Brick Road Foundation and many others.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org.

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony’s 2018-2019 Season, ‘Sound Waves,’ Continues in 2019 with Concerts in April-May, Plus Special Event Luncheons and Dinners

Monterey Symphony’s 2018-19 Season, “Sound Waves,” continues in 2019 with concerts in April and May and special event luncheons and supper clubs through May.

Monterey, CA, March 24, 2019 — Monterey Symphony’s 2018-19 Season, “Sound Waves,” continues in 2019 with concerts in April and May and special event luncheons and supper clubs through May.

Three Romantic German composers are featured on the fifth concert of the season, April 13-14, 2019, opening with Mendelssohn’s concert overture “Calm Seas and Prosperous Voyage, Op. 27,” inspired by Beethoven’s work of the same name; along with fellow Jewish composer Max Bruch’s popular Violin Concerto No. 1, Op. 26, featuring solo artist Elmar Oliveira returning to play with the Monterey Symphony.

Robert Schumann’s Symphony No. 4, Op. 120, originally his unpublished second symphony, underwent massive revisions in 1851 — five years before his death — proving his mastery over orchestration and increased expression in the final edition of this emotional Romantic symphony.

The sixth and final concert of the season, “Sound Waves,” May 18-19, 2019, will conclude in grand fashion with music by Wagner, Chopin, and Beethoven! Richard Wagner composed many brilliant overtures throughout his many German operas, including the overture from “The Flying Dutchman,” featured as the opening work in the season finale. Chopin’s stunning Piano Concerto No. 2, Op. 21, follows, with magnificent Cuban pianist Marcos Madrigal performing the popular work, composed before Chopin completed his formal education at age 20.

The season ends with one of the greatest compositions for the concert hall of all time: Beethoven’s Symphony No. 5, Op. 67. A favorite among experienced and new audiences, musicians and conductors, the fifth endeavor in the symphony genre struck a chord for Beethoven, as he discovered his true forte — it is the “Stairway to Heaven” of classical music.

All remaining concerts during Monterey Symphony’s 2018-19 season will be held at the Sunset Center in Carmel and conducted by Symphony Music Director Max Bragado-Darman. All concerts in the season will be held at 8 p.m. Saturdays and 3 p.m. Sundays at Sunset Center.

The lineup of special events includes luncheons and supper clubs, which culminates with the Gala By The Bay on May 3, at the Monterey Bay Aquarium, and a final luncheon on May 16.

April Luncheon

April 11, 2019, 11:30 a.m.

MPCC Ballroom

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

April Supper Club

April 14, 2019, 5:30 p.m.

PortaBella, Carmel-by-the-Sea

Join the Monterey Symphony for a spring party in the dining room of PortaBella, “The Quintessential Carmel Restaurant,” at this Sunday Supper Club, ending each Symphony weekend with a sizzling and sumptuous supper for the senses.

The Supper Clubs are on sale now for $70 per person. Supper Clubs include appetizers and wine upon arrival followed by a gourmet three-course dinner with several entrees to chose from. The Supper Club price will be $75 after October 7, 2018.

Gala By The Bay

May 3, 2019, 6:00-10 p.m.

Monterey Bay Aquarium, Cannery Row, Monterey

Join the Monterey Symphony in a celebration of the Open Ocean at the Monterey Aquarium Friday, May 3, 2019. Enjoy a strolling dinner, delicious wines and private access to the Aquarium’s Open Ocean exhibit. Silent and live auctions, musical moments and ocean-themed surprises await. All proceeds benefit the Monterey Symphony. Tickets: $250.

May Luncheon

May 16, 2019, 11:30 a.m.

MPCC Beach House, 3000 Club Road, Pebble Beach

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person.

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

For a complete list of special events, go to https://www.montereysymphony.org/special-events.htm.

To purchase concert tickets, go to www.montereysymphony.org

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Berkshire Foundation, The Barnet Segal Charitable Trust, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The Pebble Beach Company Foundation, S.T.A.R. Foundation, The Robert and Virginia Stanton Endowment, Taylor Farms, Union Bank, The Yellow Brick Road Foundation and many others.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony’s 2018-19 Season Continues March 16-17 With Concert #4 Featuring Guest Conductor Jung-Ho Pak and Works by Tan Dun, Dmitri Shostakovich, Alan Hovhaness

The sounds of water at play and work highlight the fourth concert of the season for the Monterey Symphony, March 16-17, when Jung-Ho Pak guest conducts the symphony with works by Tan Dun, Dmitri Shostakovich, and Alan Hovhaness.

Monterey, CA, February 24, 2019 — The sounds of water at play and work highlight the fourth concert of the season for the Monterey Symphony, March 16-17, when Jung-Ho Pak guest conducts the symphony with works by Tan Dun, Dmitri Shostakovich, and Alan Hovhaness.

The concerts will be held at 8 p.m. Saturday, March 16 and 3 p.m. Sunday, March 17, 2019, at the Sunset Center, San Carlos Avenue and Ninth Street in Carmel.

Revolutionary experimental composer Tan Dun transposes the sounds of water — at play and at work — into the textures of his music, most literally in Water Concerto for water percussion and orchestra. Christopher S. Lamb is featured on percussion.

The symphonic poem “And God Created Great Whales” by Alan Hovhaness — commissioned in 1970 by the New York Philharmonic — features prerecorded humpback whale vocalizations, and was credited with early efforts to save whales from extinction.

To celebrate the Soviet victory over Germany, Shostakovich was commissioned to write Symphony No. 9, which, Leonard Bernstein described as a series of musical jokes (including purposeful mistakes), completing a boisterous, 99.99% organic, and exciting concert program.

Ticketholders are invited one hour prior to every performance for the symphony’s pre-concert lectures in the Hall of Sunset Center.

Subscriptions are now available. Please contact the box office for availability at (831) 646-8511. For more information and pricing visit: http://www.montereysymphony.org/concerts-events/subscriptions

In addition to the two concerts, there will also be a Symphony Luncheon and Supper Club in March.

Join the Friends of the Monterey Symphony for a preview luncheon at 11:30 a.m. Thursday, March 14th, 2019, at the Beach & Tennis Club at Pebble Beach Resorts. Support classical music, enjoy great food and company, and engage with guest conductor Jung-Ho Pak and guest artist Christopher S. Lamb, from the March concerts.

The luncheon starts with no-host cocktails at 11:30 a.m., followed by luncheon at 12:15 and the guest speaker presentation at 1:15. Cost is $50 per person.

The March Supper Club will be held at 5:30 p.m. Sunday, March 17, 2019, at Anton & Michel, Mission Street between Ocean and Seventh, in Carmel.

Join the Monterey Symphony for a gourmet dinner overlooking the Court of the Fountains at Anton & Michel, ending each Symphony weekend with a sizzling and sumptuous supper for the senses.

Supper Clubs include appetizers and wine upon arrival, followed by a gourmet three-course dinner with several entrees to choose from. Cost is $75 per person.

For Luncheon and Supper Club tickets, go to www.montereysymphony.org.

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported in part through the fundraising efforts of the Friends of the Monterey Symphony, and through grants from The Arts Council of Monterey County, The Berkshire Foundation, The Buffet Fund of the Community Foundation for Monterey County, The Community Foundation for Monterey County, Frisone Family Foundation, The Harden Foundation, The Todd Lueders Fund for the Arts of the Community Foundation for Monterey County, The Monterey County Weekly Community Fund of the Community Foundation for Monterey County, Music Performance Trust Fund, The David and Lucile Packard Foundation, The Pebble Beach Company Foundation, Samson Foundation, Warren and Katharine Schlinger Foundation, Alexander F. Victor Foundation, and many other generous foundations and individual donors.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org.

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org

Monterey Symphony Launches Search for New Music Director

The Monterey Symphony has launched a search for a new music director. The new position will commence June 2021.

Monterey, CA, January 04, 2019 — The Monterey Symphony has launched a search for a new music director. The new position will commence June 2021.

The two-year search will be conducted by a committee, established in the Collective Bargaining Agreement with the Musician’s Union, and stipulates a committee of nine — five members representing management, and four representing musicians.

The symphony hopes to announce a new music director in April 2021, with the first concert with the new music director in October 2021. Candidates for the post will be invited for interviews in May 2019, and will be invited to conduct during the 2020-2021 season.

The music director, among other things, will select music to be performed at classical and other symphonic programs, select soloists, serve as the principal conductor, and work within the limits established by the organization’s budget, its bylaws and its internal policies.

The Music Director reports to the Board of Directors and works closely and cooperatively with them and the Executive Director in pursuing the organization’s objectives.

Monterey Symphony is seeking an exceptional conductor with significant experience leading professional ensembles at a high level, who has wide-ranging intellectual and cultural interests and excellent communication skills,” according to the symphony’s website. “They will be able to demonstrate the ability to inspire musicians, board members and staff and cultivate effective relationships with guest artists, composers and other artistic partners.”

The application procedure and more information on the duties and requirements of the position are available at: https://www.montereysymphony.org/employment.htm.

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

https://www.montereysymphony.org/employment.htm

Monterey Symphony’s 2018-2019 Season, ‘Sound Waves,’ Continues in 2019 With Concerts February Through May and Special Event Luncheons and Dinners

Monterey Symphony’s 2018-19 Season, “Sound Waves,” continues in 2019 with concerts in February, March, April and May and special event luncheons and supper clubs through May.

Monterey, CA, December 04, 2018 — Monterey Symphony’s 2018-19 Season, “Sound Waves,” continues in 2019 with concerts in February, March, April and May and special event luncheons and supper clubs through May.

The season “Sound Waves” comes alive in the third concert Feb. 16-17, 2019, with four works all dedicated to the sea. Claude Debussy, the father of Impressionism in music, composed “La Mer” in the mold of a symphony, but eschewed the traditional title for one more authentic to the sound of the music. French composer Jacques Ibert, the director of French opera in Rome, wrote “Escales” — a suite for orchestra that perfectly resembles postcards from three Mediterranean ports — after finding his obsession with the sea.

This concert features “Four Sea Interludes” from Peter Grimes, Op. 33a, by Benjamin Britten, England’s finest modern opera composer: composed in 1945, Grimes launched his career in the new post-war era. The gorgeous tone-poem “Oceanides, Op. 73,” by Jean Sibelius was inspired by the sea-nymphs referenced in Greek mythology: haunting and tempting.

Jung-Ho Pak guest conducts the fourth concert of the season March 16-17, 2019, with works by Tan Dun, Shostakovich, and Alan Hovhaness. Revolutionary experimental composer Tan Dun transposes the sounds of water — at play and at work — into the textures of his music, most literally in “Water Concerto” for water percussion and orchestra.

The symphonic poem “And God Created Great Whales” by Alan Hovhaness — commissioned in 1970 by the New York Philharmonic — features prerecorded humpback whale vocalizations, and was credited with early efforts to save whales from extinction. To celebrate the Soviet victory over Germany, Dmitri Shostakovich was commissioned to write Symphony No. 9, which, Leonard Bernstein described as a series of musical jokes (including purposeful mistakes)…completing a boisterous, 99.99% organic, and exciting concert program.

Three Romantic German composers are featured on the fifth concert of the season, April 13-14, 2019, opening with Mendelssohn’s concert overture “Calm Seas and Prosperous Voyage, Op. 27,” inspired by Beethoven’s work of the same name; along with fellow Jewish composer Max Bruch’s popular Violin Concerto No. 1, Op. 26, featuring solo artist Elmar Oliveira returning to play with the Monterey Symphony.

Robert Schumann’s Symphony No. 4, Op. 120, originally his unpublished second symphony, underwent massive revisions in 1851 — five years before his death — proving his mastery over orchestration and increased expression in the final edition of this emotional Romantic symphony.

The sixth and final concert of the season, “Sound Waves,” May 18-19, 2019, will conclude in grand fashion with music by Wagner, Chopin, and Beethoven! Richard Wagner composed many brilliant overtures throughout his many German operas, including the overture from “The Flying Dutchman,” featured as the opening work in the season finale. Chopin’s stunning Piano Concerto No. 2, Op. 21, follows, with magnificent Cuban pianist Marcos Madrigal performing the popular work, composed before Chopin completed his formal education at age 20.

The season ends with one of the greatest compositions for the concert hall of all time: Beethoven’s Symphony No. 5, Op. 67. A favorite among experienced and new audiences, musicians and conductors, the fifth endeavor in the symphony genre struck a chord for Beethoven, as he discovered his true forte — it is the “Stairway to Heaven” of classical music.

All concerts during Monterey Symphony’s 2018-19 season will be held at the Sunset Center in Carmel and conducted by Symphony Music Director Max Bragado-Darman, except for concert number four, March 16-17, 2019, which will be guest conducted by Jung-Ho Pak. All concerts in the season will be held at 8 p.m. Saturdays and 3 p.m. Sundays at Sunset Center.

The lineup of special events includes luncheons and supper clubs, starting with the Feb. 14 luncheon and culminating with the Gala By The Bay on May 3, at the Monterey Bay Aquarium, and a final luncheon on May 16.

February Luncheon

February 14, 2019, 11:30 a.m.

Schooner’s Coastal Kitchen & Bar, Cannery Row, Monterey

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

February Supper Club

February 17, 2019, 5:30 p.m.

Sunset Center, San Carlos Street & Ninth Avenue, Carmel

Join the Monterey Symphony at the Sunday Supper Club, ending each Symphony weekend with a sizzling and sumptuous supper for the senses.

The Supper Clubs are on sale now for $70 per person. Supper Clubs include appetizers and wine upon arrival followed by a gourmet three-course dinner with several entrees to chose from. The Supper Club price will be $75 after October 7, 2018.

March Luncheon

March 14, 2019, 11:30 a.m.

The Beach and Tennis Club, Pebble Beach

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

March Supper Club

March 17, 2019, 5:30 p.m.

Anton & Michel, Carmel-by-the-Sea

Join the Monterey Symphony for a gourmet dinner overlooking the Court of the Fountains at Anton & Michel at Sunday Supper Club, ending each Symphony weekend with a sizzling and sumptuous supper for the senses.

The Supper Clubs are on sale now for $70 per person. Supper Clubs include appetizers and wine upon arrival followed by a gourmet three-course dinner with several entrees to chose from. The Supper Club price will be $75 after October 7, 2018.

April Luncheon

April 11, 2019, 11:30 a.m.

MPCC Ballroom

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

April Supper Club

April 14, 2019, 5:30 p.m.

PortaBella, Carmel-by-the-Sea

Join the Monterey Symphony for a spring party in the dining room of PortaBella, “The Quintessential Carmel Restaurant,” at this Sunday Supper Club, ending each Symphony weekend with a sizzling and sumptuous supper for the senses.

The Supper Clubs are on sale now for $70 per person. Supper Clubs include appetizers and wine upon arrival followed by a gourmet three-course dinner with several entrees to chose from. The Supper Club price will be $75 after October 7, 2018.

Gala By The Bay

May 3, 2019, 6:00-10 p.m.

Monterey Bay Aquarium, Cannery Row, Monterey

Join the Monterey Symphony in a celebration of the Open Ocean at the Monterey Aquarium Friday, May 3, 2019. Enjoy a strolling dinner, delicious wines and private access to the Aquarium’s Open Ocean exhibit. Silent and live auctions, musical moments and ocean-themed surprises await. All proceeds benefit the Monterey Symphony. Tickets: $250.

May Luncheon

May 16, 2019, 11:30 a.m.

MPCC Beach House, 3000 Club Road, Pebble Beach

Join the Friends of the Monterey Symphony for a preview luncheon. Support classical music, enjoy great food and company, and engage with guest artists from the upcoming concert. Cost: $50 per person.

11:30 a.m. – No Host Cocktails

12:15 p.m. – Luncheon

1:15 p.m. – Guest Speaker Presentation

For a complete list of special events, go to https://www.montereysymphony.org/special-events.htm.

To purchase concert tickets, go to www.montereysymphony.org

About the Monterey Symphony

The mission of the Monterey Symphony is to engage, educate and excite our community through the performance and continual discovery of symphonic music.

The Monterey Symphony, under the artistic leadership of Music Director & Conductor Max Bragado-Darman, is the only fully professional, full-season orchestra serving the communities of the Monterey Bay, Salinas, Salinas Valley, Big Sur, and San Benito County. It provides double performances of a six-concert subscription series at Carmel’s Sunset Theater, as well as youth education programs that include in-class visits and culminate in full-orchestra concerts for school children.

The Monterey Symphony is a nonprofit, public benefit corporation, supported through various generous individuals and through grants and corporate gifts from The Arts Council of Monterey County, The Berkshire Foundation, The Barnet Segal Charitable Trust, California Arts Council, The Community Foundation for Monterey County, The Harden Foundation, Monterey Peninsula Foundation, Music Performance Trust Fund, Nancy Buck Ransom Foundation, The David and Lucile Packard Foundation, The Pebble Beach Company Foundation, S.T.A.R. Foundation, The Robert and Virginia Stanton Endowment, Taylor Farms, Union Bank, The Yellow Brick Road Foundation and many others.

For additional information, please call 831-646-8511 or visit the website: www.montereysymphony.org

Contact:

Marci Bracco Cain

Chatterbox PR

Salinas, CA 93901

(831) 747-7455

http://www.montereysymphony.org